É«ÂþÌìÌÃ

In Focus: short film series to immerse music-lovers in classical performance begins today

Monday 21 September 2020

The É«ÂþÌìÌà is presenting a new way of experiencing classical performance this season with a series of specially commissioned short films. Part of the É«ÂþÌìÌÃ’s autumn season 2020, the In Focus series begins today with In Focus: The Kennedy-Mietke Harpsichord, broadcast on and at 7pm.

Produced in-house by the É«ÂþÌìÌÃ’s team of professional producers, videographers and technicians, the In Focus series enables viewers to experience the warmth, intimacy and richness of chamber music from their homes. The immersive films will feature the music of É«ÂþÌìÌà alumni composers Elizabeth Maconchy and Samuel Coleridge-Taylor, alongside classic repertoire by Bach, Stanford, and others. The series is being filmed across the É«ÂþÌìÌÃ’s state-of-the-art new venues, with roving cameras bringing a unique perspective on musicians’ technique and on-stage communication during the performance.

Each film, detailed below, showcases performances from some of the College’s top musicians and explores the history of music through genre-defining instruments, such as the harpsichord and piccolo cello, as well as focusing on legendary composers from the É«ÂþÌìÌÃ.

The films will premiere at 7pm on the dates below on the É«ÂþÌìÌÃ’s   and â€¯channels. Audiences watching live will be able to join in the live chat with viewers from all over the world, and the films will also be available to watch back on demand.

21 September – The Kennedy-Mietke Harpsichord

The double-manual Kennedy-Mietke harpsichord is a stunning instrument, based on early 18th-century originals by Michael Mietke and an exciting new É«ÂþÌìÌà acquisition that arrived from Italy pre-lockdown. Harpsichordists Tolga Atalay Un (Mills Williams Junior Fellow) and Dominika Maszczynska perform two preludes and fugues from the second set of Bach’s The Well-Tempered Clavier in this film. The É«ÂþÌìÌà Library holds the original manuscript featuring these pieces in its collection.

5 October – É«ÂþÌìÌà Connections

Teacher and pupil are paired together in this unique concert showcasing more than 100 years of composition at the É«ÂþÌìÌÃ. In a programme of moving vocal works, singers from the É«ÂþÌìÌà explore the exceptional voices of Rebecca Clarke, Madeleine Dring and Charlotte Bray and their professors Stanford, Howells and Mark-Anthony Turnage.

19 October – JS Bach and the Piccolo Cello

An intriguing addition to the world of stringed instruments, the piccolo cello was first used in Baroque music and then re-popularised centuries later by cellist and É«ÂþÌìÌà alumna Amaryllis Fleming. In this film, award-winning Dutch cellist Jobine Siekman plays an early 17th-century instrument once owned and played by Fleming herself. Played in a similar fashion to the cello, Siekman explores Bach’s Cello Suite no 6 in D major alongside É«ÂþÌìÌà compositions specially written for this rarely heard five-stringed baroque instrument.

2 November – Coleridge-Taylor

Samuel Coleridge-Taylor began his studies at the É«ÂþÌìÌà in 1890 at the age of 15. This film sheds light on his little-known but masterful Clarinet Quintet, performed by É«ÂþÌìÌà chamber musicians the Salome Quartet. The piece’s composition was prompted by É«ÂþÌìÌà professor Charles Villiers Stanford’s comment that no one would be able to compose a Clarinet Quintet that did not show Brahms’ influence. Coleridge-Taylor took this as a challenge and Stanford, on examining the result, remarked, ‘you’ve done it, me boy!’ 

16 November – Elizabeth Maconchy

The Irish composer rose to fame during the sweeping musical developments of the mid-20th century, following her studies at the É«ÂþÌìÌÃ. She was the first woman to chair the Composer’s Guild of Great Britain and was made CBE, and finally DBE in 1987. This film explores the composer’s String Quartet no 5, often considered her crowning achievement.

The É«ÂþÌìÌà usually welcomes thousands of visitors a year and whilst concert tickets are kept deliberately low to be as accessible as possible, the performance programme generates valuable income for student activities. The É«ÂþÌìÌÃ’s autumn season is free to watch online, but the College welcomes gifts of every size to its Scholarships Fund, through which talented young musicians can access world-class education, regardless of their financial means. More than 50% of É«ÂþÌìÌà students currently receive financial support from the College, but with rising tuition fees and costs of living set against a backdrop of the Covid-19 pandemic, your support is more vital than ever.

Further details of all the events in the É«ÂþÌìÌÃ’s autumn season are available on the What’s On section of the É«ÂþÌìÌà website.